THE ART OF MAQOM: HISTORICAL ROOTS AND THEORETICAL BASIS
Negmatov Umidjon Hikmatullo oglu
Termez State University National Costume and Art
Keywords: Maqam, Shashmaqam, Farabi, Safiuddin Urmavi, music theory, lad, method, rhythm, Eastern Renaissance.
Abstract
This article provides a scientific analysis of the theoretical foundations and the historical formation of the Maqom art, considered the pinnacle of Eastern musical culture. The study examines the interpretation of the Maqom system in the works of medieval Renaissance scholars (Farabi, Avicenna, Urmavi), its modal-tonal characteristics, and the transition from the “Twelve Maqoms” system to “Shashmaqom”. The philosophical and mathematical foundations of Maqom are highlighted with factual evidence.
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